This may not seem like the most momentous achievement or purchase of the century, but for me, in the context of my life, it is.
It marks the point where I do, finally, know that I am in control of my life.
Over 40 years ago, I had a car but didn’t even have £5.00 to put petrol in it.
I’ve had a few car breakdowns since then but none as major as the personal breakdowns I’ve had to recover from.
There were times when I thought that my life was a write-off, and I had no insurance policy to fall back on; only a belief that I couldn’t give up, however hard it got.
And I didn’t.
My life’s journey has been about retraining my brain – to think differently; see things differently; do things differently.
So, today, I drive my car with two new front tyres and, though a little tired myself, feel a strong sense of relief.
I had a lovely walk with Lydia this morning, and a lovely afternoon with a friend.
I am no longer ‘locked in’, nor am I ‘locked out’. I am free to be, and to be me.
That doesn’t mean I can or want to be complacent; quite the opposite. I want to make the most of every day: learn, experience, reflect, be open to possibilities, accept what I can’t change; appreciate what I have.
I’ve recently been fortunate to have taken part in a group poetry project.
Group experiences have been central to my mental health recovery for many years.
Some group experiences have an uplifting, energising and inspiring effect; others lead to alienation, isolation and degradation.
The poetry group experience that I’ve recently had was a good one, thanks largely to the enthusiasm and encouragement of the group leader https://mariafrankland.co.uk/.
In case you don’t want to buy the book, or perhaps as a taster (I’m one of 12 poets in the completed work), here are my poems from the collection:
Now
Now at the Pinnacle 14-and-a-half per cent proof point of my existence I’ve reached the Nottage Hill sub-station of my life I haven’t got a Sauvignon Blanc’s clue about what to do next other than to ‘méthode-champenoise’ my way through and hope that if the cork crumbles the bottle won’t be blue and the sieve will be fine so that just for now I can at least drink the wine
I can dance
I can dance without moving my feet at all I don’t have to do the foxtrot or quickstep my way to any ball I can cry without moving my lips I can laugh without making a sound all I have to do is know that the earth is flat, it isn’t round The dance is mine to make up from the music of the wind a sense of something swirling in and around my mind I don’t need a choreographer an audience or loud applause I just need to dance in my own way and then I’ll dance some more I can dance without moving my feet at all on and on and on and on it is my dance my life my call
Here’s to Wealth!
Cheers my dear to the love that you bring into my life and though I never want to be your wife I want to share with you all the good things that life brings
I love it when you sing as I know it comes from within your soul and as we learn together to love each other something magical unfolds
The trees without leaves that you hung around my neck and from my ears help to take away all my fears of things undone of words unsaid the sadness of never nurturing a child upon my breast
Where once was hope and then despair becomes a sense of stillness in the air and from that place of breathing and of wings comes freedom to wonder and wander into the rich realms of being together feeding the birds with the wealth of our love
Instant Coffee
Heading for instant gratification no time to waste or spare I take my mug into the kitchen only to find a queue of people there
Halted, suddenly, empty cup in hand my thoughts spill over into the needs of others heads bowed or lifted as we together stand
I only needed coffee and soon the queue was gone my waiting time was over but for someone else it had only just begun
***
I’m also proud of the back cover copy that I wrote for the book:
A relationship break-up can be a difficult experience at any age. It isn’t always easy to see the opportunity beyond the heartache, and even less easy to find ways of putting the experience into words.
The triumphs of Maria Stephenson’s emergence into a new life as a writer and teacher are embodied in her collection of ‘Poetry for the Newly Single Forty Something’ (2017). Maria didn’t just stop at publishing her own collection though. She inspired others to explore their creative approaches to the theme, leading to this exciting anthology, which is more than the sum of its poems.
The words of each poet paint a picture of part of their own unique life story. Demonstrating diverse responses to life and writing challenges, threads of commonality emerge and unite.
What are you waiting for? Dive in, explore, share in the joy of words and wonders of life that these writers have explored and shared. These poems aren’t just about being newly single, or about being forty something, they are about being – essentially – human.
The reason for my pride is partly because I think it stands well as a piece of writing in its own right (and even being able to credit myself with that is a remarkable* achievement in its own right), and partly because of what it represents for me in terms of having come through what I’ve come through, still fighting, still writing, still reaching out.
* https://iamremarkable.withgoogle.com/ (#IamRemarkable is a Google initiative empowering women and underrepresented groups to celebrate their achievements in the workplace and beyond.)
The outcome of my first day of making things from clay at home: small, imperfectly formed, and mine
43 years ago, when I graduated with a degree in Ceramics, I knew that there was something wrong with me – mentally, emotionally – but I didn’t know what or how to deal with it. Since then I’ve been close to the edge more than once and in more ways than one. I nearly lost my life during a psychotic experience in Iceland, felt broken to the point where I didn’t think I could possibly mend, and ultimately pushed myself through such extreme, painful experiences that many times I wondered why.
Thankfully, I also thought ‘why not?’ and bit by bit I found a way through.
Being in survival mode doesn’t leave any energy for forward planning, including consideration of what I would do when I retired. The idea of doing some work with clay again suddenly came out of ‘nowhere’ and I’ve been enjoying going to workshop sessions at a studio not too far from where I live. However, I also thought it would be good to be able to do some work from home, especially during the winter months when I can’t work outside in the garden.
Pieces of a puzzle; sawdust fired 1978
The work I produced at college for my degree show was fired initially to bisque level and then finished in a sawdust kiln. We have no space here for a proper kiln but I’ve been exploring possibilities for sawdust firing; even firing ‘greenware’, that is without having put the pieces through the initial bisque firing. This will produce porous pots that are not ‘vitrified’ as they are when fired to higher temperatures, but some beautiful subtle effects can be obtained.
So with a few basic tools and a dining table, I’m off to a good start. I’m still going to continue to attend the studio sessions – apart from anything else it’s a lovely encouraging atmosphere and I enjoy the companionship and sense of shared experience. But it’s also great to be able to ‘sit and do’ at home – to make whatever I want to make – without time constraints or consideration of anything other than what I’m working on.
This brings me to Poetry/Pottery Rule No. 20: Enjoy the process.
Now that does sound like a plan – the housework may not get done, but these are pots that won’t need washing up!
Glad About 
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