Poetry Rule No. 45 Don’t underestimate the therapeutic quality of vices – or verses

First published 5th June 2020

Turning the Tables

Lobster meat is sweet, I believe
I tasted it once, a long time ago
but I really don’t know
if the clacking, snapping, pincer-sharp
bite of the lobster-look-alike girl’s mind
belies anything even remotely kind

As I sit watching her eat that lobster meat
sucking her fingers with self-satisfied glee
pouting and spouting out the debris
of her clacking, snapping pincer-sharp mind
and smile inwardly at the resemblance I see
a wonderful, horrible thought comes to me

Wouldn’t it be great if a giant lobster loomed
and ate her up after popping her into
a boiling pot, while she was still alive?

This is the sea-bed of salivation
upon which I feed and thrive
turning the tables through poetry
on the clacking, snapping
pincer-sharp lobster-look-alike girl’s mind
and her kind

2020

Rules, Rhymes, Recovery, Recipe, Random – Glad About Life:

https://amzn.eu/d/6Ptwe4S

Woman, a Dog & a Blog – Writing into Life:

https://amzn.eu/d/63qIYzR

Poetry & Pottery: The Perfect Partnership

1978

1978 was not a good year, for me
even though I hold it dear

Try as I might I could not find the key
to unlock my brain
work out its mystery

Lurching this way and that
never finding a hold
I fell so many times
but got ever more bold

Crashing right down
I broke back to the core
then inched my way through
to daylight once more

The clay in my hand
is the life that I’ve led
I’ve cried, ached and screamed
and wished I was dead

But I never gave up
and I never gave in
I just kept on going
and drank lots of gin

Joking aside –
though I do like a drop –
I feel like I’ve won
I’ve come out on top

For I have love in my life
a treasure most true
I’m here and I’m now
simply human, through and through

© Maggie ‘Glad the Poet’ Baker 2021

1978 was the year I graduated with a degree in Ceramics from Bristol Polytechnic. 

I’d reached out to art in my teens as a way of asserting a direction, without knowing where that direction might take me. It was driven by some deep-rooted instinct; an instinct which for a long time I thought had failed me. But it hadn’t.

As it’s turned out, my life has taken many “twists and turns, and loops and leaps”, most of which have left me struggling to find a foothold. Finally, however, I feel I am on firm ground, and astonished to find myself turning back to working with clay, after a break of over 40 years.

What’s even more astonishing is that I’m not only loving working with the medium, I’ve got ideas coming into my head from goodness knows where. I’m not having to push myself just to produce something, anything, as I did when I was at college (although I was proud of what I did produce in the end; it was no easy feat, considering the complexity of mental health problems I was dealing with).

Art didn’t work as a therapy for me when I was younger; the damage went too deep and I had to find ways to dig it out – just like clay has to be dug out.  What I’ve got now is malleable and mouldable in whatever way I choose. I can be creative in any way or ways that suit me; working with clay or words; working with my life.

I hope my pots can be poetic; and that my poetry will continue to be potty.

Solid and fluid at the same time. This one’s long gone; I’m making others now.