1978 was the year I graduated with a degree in Ceramics from Bristol Polytechnic.
I’d reached out to art in my teens as a way of asserting a direction, without knowing where that direction might take me. It was driven by some deep-rooted instinct; an instinct which for a long time I thought had failed me. But it hadn’t.
As it’s turned out, my life has taken many “twists and turns, and loops and leaps”, most of which have left me struggling to find a foothold. Finally, however, I feel I am on firm ground, and astonished to find myself turning back to working with clay, after a break of over 40 years.
What’s even more astonishing is that I’m not only loving working with the medium, I’ve got ideas coming into my head from goodness knows where. I’m not having to push myself just to produce something, anything, as I did when I was at college (although I was proud of what I did produce in the end; it was no easy feat, considering the complexity of mental health problems I was dealing with).
Art didn’t work as a therapy for me when I was younger; the damage went too deep and I had to find ways to dig it out – just like clay has to be dug out. What I’ve got now is malleable and mouldable in whatever way I choose. I can be creative in any way or ways that suit me; working with clay or words; working with my life.
I hope my pots can be poetic; and that my poetry will continue to be potty.
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