The midges danced around me … and sometimes they kissed me

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I’d prepared well for my trip to Iceland. But nothing had prepared me for the wild and fragile beauty of the place. And never have I felt more in tune with nature in all its manifestations as when I entered the Jokulsargljufur National Park.

Giant rock formations thrust and thundered their way out of the earth; solid and fluid at the same time. They looked as if they could be there for time immemorial and yet gone tomorrow as the cycle of changes continues to turn. Iceland is a place of mixtures and contrasts; of separateness and unity.

Young beech saplings, richly green, provided a delicate backdrop to purple meadowsweet and long-stalked buttercups. Anemones grew among the rocks and on the open heath, alongside thrift and heather.

Wandering off alone one evening after dinner, I lost myself in order to be replenished with a new sense of awe and wonder for those tiny things that keep singing and smiling and dancing and shining, night after night in that place that beckons and welcomes and yet turns cold and hostile to test the spirit and firm the resolve: the midges; the birds, the flowers.

I walked, I climbed, I turned, I fell, I closed my eyes, I clung
to a rock. I scrambled, I gasped and I grasped. I cried and
breathed and yelled and pleaded. I sought forgiveness. I felt despair (but only for a moment).

The midges guided me and the birds showed me how to flap my wings
to keep warm. I thanked them and rejoiced and sang and danced and
whistled and cried. After many twists and turns and loops and leaps, after crossing snow and stream, diving under branches, scrambling up hard rocks and across soft moss, the path became straight and broad and familiar.

Heading finally for sleeping bag and tent, I peeled off my cold,
damp clothes and piled on layer after layer, breathing warmth back into my bruised body for as long as I needed to.

I had survived but I had changed. Iceland survives but is changing. The change is being managed intuitively and generously, respectful of the needs of the wild and of those who need to escape to the wild to find a fleeting sense of freedom as a reminder of what we are, have been and always can be.

Goodbye midges. And thank you.

Au revoir Iceland. Bon voyage!

I wrote the above in 1995. Not long after that I spent two weeks as a voluntary inpatient in a psychiatric hospital, where my experience was described by a psychiatrist as a ‘psychotic episode’.

I’ve largely had to fight and find my own way through from that point to this, and never knew what to do with the piece that I wrote. In one sense it’s a piece of ‘travel writing’ and, as I feel more settled now in my head and my heart than I’ve ever been, I thought I might as well publish it on this blog.

A piece that I’m pleased with

One aspect of depression that is a constant struggle is finding something – anything – to build up my self-esteem. To a certain extent I’ve learnt to live with it, knowing that the worst moments pass if I rest up and tune in to parts of my brain that I’ve trained, using positive processes such as meditation, and affirmations: “I choose to be peaceful and calm; everything is unfolding as it should.”

I’ve identified my own truths and ‘root causes’ of past problems, and arrived at a point – in a very long and arduous journey – where I felt I didn’t need to have any aspects of these verified or vindicated by any one or any thing. However, I have found it helpful recently to have discovered the work of Imi Lo. I went through her book – Emotional Sensitivity and Intensity: how to manage intense emotions as a highly sensitive person (John Murray Learning, 2018) – highlighting many passages that I felt applied directly to me. I urge anyone who has been deemed ‘over-sensitive’ and felt alienated one way or another as a result, to read and take hope from this book.

The author states in a key point (p.45):

We are not here to dismiss the validity of all mental health diagnoses, or the importance of appropriate treatment in the case of severe psychological trauma. But it is important to examine the root of your suffering: often, it may be a reflection of your natural tendencies, and a result of being misunderstood, rather than as a sign of defectiveness. We must be extra cautious to not reinforce any restrictive categories, diagnoses and stigma around emotional intensity.

In the final chapter of her book, Imi Lo identifies possibilities for tapping in to our creative potential.

It’s possible to be creative in many ways – not just through the arts. I’ve been as creative as I could be at different stages in my life and through many different types of work. However, having arrived at the point when I’m now retired, giving me a new-found freedom that I relish, I’m loving being able to re-immerse myself in solving problems associated with art and design, construction and concepts.

A significant difference that I’ve noticed between how I feel about work that I produce now, compared with work that I produced when I was younger, is that now I can feel a sense of satisfaction about having produced it. I can ‘own it’, take pride in it, see it for what it is in the context of my life; a life that I’m glad to have.

My self-esteem still falls by the wayside sometimes, but – generally speaking – I’m in a much better place than I’ve ever been. It takes a bit of getting used to, but I’m determined to make the most of it, knowing that I am – after all ‘gifted’ rather than the waste of space I often felt myself to be.