I’m Glad

First published 21 March 2020

It’s not my real name, but ‘Glad’ is better than sad, and I’ve worked hard in my life to be Glad, not sad.

I’ve recently started decorating my house – our house. This may not seem like an amazing revelation or achievement, but it is for me. I’m 64 years old and have had a long struggle to be able to enjoy doing the everyday things that I can focus on now.

It’s taken about fifty years of unlearning and then re-learning how to be me. Poetry hasn’t been the only vehicle I’ve used for recovery and discovery, but it has been a regular companion along the way.

As a teenager – like many teenagers since and still – I developed a very negative self-image of myself, inside and out.

Out

Out, out into the world
That’s where I wanted to go
What I wanted to do
When I was young
But when I looked in the mirror
All I could see
Was an ugly, unattractive body
Looking back at me

I went on a diet from the age of about 15 that lasted for the next 30 years or so, and affected every aspect of my life (or more accurately non-life that it had become). I didn’t think I had anything to offer as a person, didn’t know how to form relationships, and put all my energy into losing weight. At least if I was thin, that would be something. Except it led to nothing, because it wasn’t solid ground on which to build a life. It was the best I could do at the time, but I did eventually realise, after I’d had a major breakdown in my late thirties, and was trying to get myself going again in my forties, that I needed to eat, to give me energy, to be able to live. I had to finally, eventually, push through that awful sense of self-loathing that I associated with putting on weight in order to emerge as a (literally as well as generally) well-rounded person with an appetite for life.

I still have to work at it, still take anti-depressants, can’t use shop changing rooms or look at myself naked in a mirror, but on the whole this does not affect my ability to enjoy my life – with my partner – and try to make the most of every day.

I can still very easily cut myself off, go into ‘zombie’ mode, more readily associate with entropy than energy, so decorating my house – however long it takes – and writing this blog – wherever it takes me – are positive signs of engagement; action rather than inaction.

I hope my poems and other musings may resonate with anyone who has struggled to find their own identity and path through life. I know now that there are endless possibilities and I hope that the following poem (in six parts) helps to show how important it is for each of us to find our fighting spirit:

Jacket 1
It’s there, on the chair
The red fleece jacket
With hood and drawstring waist
That I don’t want to wear
Don’t want to keep

It’s warm and soft when I put it on
But far too big for me
Drowned in a red sea
Shapeless, I feel
A baggy, saggy, faceless entity

I look at the jacket
On the chair
In limp, loose folds of red, and seams
This isn’t the jacket of my dreams

It’s theirs to wear
Not mine to keep
Their tears to cry
Not mine to weep

It’s there, on the chair
The red fleece jacket
With hood and drawstring waist
That I don’t want to wear
Don’t want to keep
So I’ve put a price on its head
To let it go free
To someone who wants it
But when will that be?

Jacket 2
It’s there, on the chair
The red fleece jacket
With hood and drawstring waist
That I don’t want to wear
Don’t want to keep

It’s warm and soft when I put it on
But far too big for me
Drowned in a red sea
Shapeless, I feel
A baggy, saggy, faceless entity

I look at the jacket
On the chair
In limp, loose folds of red, and seams
This isn’t the jacket of my dreams

It’s not my layer
These aren’t my lies
With drawstring waist
And nylon ties

It’s not my jacket
They’re not my dreams
These aren’t my ties
They’re not my seams

So I leave the jacket
On the chair
To go my way
While they go theirs

Jacket 3
Now it hangs upon the door
That red fleece jacket
That I didn’t want to wear
Didn’t want to keep

It’s warm and soft when I put it on
And not too big for me
Warmed in a red sea
Shapeless no more
No baggy, saggy faceless entity

I look at the jacket
On the door
In limp, loose folds of red, and seams
It’s not the jacket of my dreams
But just a layer to keep me warm
From frozen looks
And glares of scorn

It is my jacket
With hood and waist
To wear a while
From place to place

Jacket 4
What next?

Jacket 5
Jacket in?

Jacket 6
No!

Gladabout.life blog posts from March 2020 to September 2024 are now available as an e-book on Amazon for Kindle:

Rules, Rhymes, Recovery, Recipe, Random: Glad About Life

https://amzn.eu/d/av9oEZU

Day 28

Continuing the story of Lydia and Me

As this 28-day cycle of journaling/blogging comes to a close, I reflect on how far I’ve come in being able to make the most of every day as I do, after the journey of mental health breakdown and recovery that I’ve had, for most of my so far 69 years.

I’m now going to have a short break from writing while I put together a two-volume book of the story of Lydia and me so far. While I’m doing this, I will re-post a blog from the past every day.

A full collection of my earlier blogs, from March 2020 to September 2024, is now available on Amazon for Kindle:

Rules, Rhymes, Recovery, Recipe, Random: Glad About Life https://amzn.eu/d/gAIIf8A

‘Rules’ came originally from a set of ‘self-management rules’ that I devised, largely to reflect on some of the very negative experiences I’d had of being managed by others. I later developed these Rules into ‘Poetry Rules’, relating them to poems that I wrote or had previously written.

‘Rhymes’ are my poems, even though not all my poems rhyme.  I just like writing them, expressing myself through words in whatever way I choose.

‘Recovery’ pieces reflect on different approaches and factors that influence mental health and wellbeing, including barriers to recovery.

‘Recipe’ is largely focused on one dish, but it’s an important one: Leftovers Soup.

‘Random’ – well, anything that didn’t quite fit in to the other categories but wanted to include anyway.

Step by step, day by day, the story of Lydia and me continues, and I’ll continue to record it at https://gladabout.life/.

Bon voyage!

Day 10

Continuing the story of Lydia and Me https://amzn.eu/d/99yW3Qk

Lydia and I have both had healthy breakfasts today.

Her dry food has a high protein content, with lots of different ingredients including pumpkin, chickpeas, salmon oil, blueberries, dried ginger root, green-lipped mussels, glucosamine, chondroitin, Vitamin C, and others.

These pellets form the main basis of her diet, which I top up with additional food and treats. I try to make sure that the treats also have a high nutritional value.

I hope that her diet, combined with our regular exercise, combined with our training routines, will help to keep her healthy in mind and body. I hope that the love and attention I give her will help to keep her healthy in spirit.

My own breakfast this morning took the form of half a banana, some fresh strawberries, natural yoghurt, no-added-sugar muesli and some semi-skimmed milk. Historically I haven’t always been great at making sure that I have a healthy diet, but I’m getting better at it now. I’ve previously worked through an eating disorder and body dysmorphia, so it’s taken me a while to reach a point of having a healthy attitude to food. I do now though, on the whole.

In this blog I’ve most recently been writing about life with reference largely to my relationship with Lydia. This is because we are working together, Lydia and Me. She is learning to “heel” and I am learning to ‘heal’. In fact, we are both learning to heal, and we are helping each other.

Pottery also features as part of the healing process for me.

While I describe myself as a ‘Poetic Potter’ and a ‘Potting Poet’, I haven’t written a lot of poems recently.

I used to write more poetry, particularly when I had no other outlet for or inclination towards the creative arts. I do, however, belong to a poetry group, a poetry ‘corner’.

We meet once a month in a local library.  It’s the library in the town where I was born.

Each month, we set a theme for the following month’s meeting.  This month, the ‘theme’ is the name of the town where we meet; the town where I was born.

The ethos of our group is one of positive feedback; it is a very gentle and supportive group, facilitated by a very gentle and supportive leader.  We get a chance to read out poems that we’ve written, and to receive comments about them. This is the poem that I have written for the next meeting:

The Library
We met in a library
It’s a different library
to the one I meet others in, today
Since then
a lot of waves have washed
upon the shore
and pulled back
into nothing at all
I have little in the way of recall
to the times between
but that doesn’t mean
I don’t or didn’t care
It just means
I am aware
of a great tidal void
between then and now
Except that in this library
at this time
I am nowhere near the same
as I was in that library, then
I hope that we can meet
in this library
again.

© Maggie Baker 2025

A fellow member of the group described the meetings as ‘soul food’.

I’m looking forward to some spiritual sustenance on Saturday, when we have our meeting.  I’m also looking forward to further spiritual sustenance tonight, when I go to the Buddhist meeting. This will be for the second in the latest group of four classes: ‘Transforming Through Adversity’.  

The monster that lurks . . .

It can be profoundly difficult to acknowledge the dark side of our selves.

We’re brought up to be “nice”, “good”, “well-behaved”, and get no instruction as children on how to deal with thoughts that counter those values in constructive ways so we work it out for ourselves. As a result – because we want to please our parents and other adults who are important in our lives – such thoughts can get buried, pushed out of mind, to fester in the deepest darkest resources of our brains. Left unattended, the smallest ‘unacceptable’ thought can grow into a monster, desperate to do what monsters do, and our psyches go to great and often bizarre lengths to keep the monster behind bars.

My partner wrote the following piece about his monster. It takes a lot of courage to acknowledge the monster that is part of us and even more to write about it and be prepared to share that part of our selves with others. I don’t agree with him though, that the monster needs to be banished. In my view it is enough to see it for what it is: a thought that we can simply be aware of, trusting ourselves enough to just let it be.

Frankenstein’s Monster

The monster, with the horns and tails of a devil, lurks in the deepest, dankest dungeons of my mind, eyes burning red, teeth like vampires’ fangs, talons like dragons, hunch-backed, ready to pounce. Saliva drips from its gaping maw, the talons clutch a dagger dripping with blood.

All is dark, the blackness is solid, no light penetrates.

The air is hot, oppressive and stifling.

The smell of death pervades the atmosphere.

The monster is a chimera reflecting all my fears in one being. Its hybrid nature combines all my fears.

The shadow lurks in my unconscious, emitting negative thoughts, amplifying the anxiety.

The dread is unremitting, the torment is ceaseless.

I close my eyes.

I breathe in. Om!

I hold my breath. Ah!

I breathe out slowly. Hum!

I exhale black smoke.

I inhale bright white light.

I visualise the banishment of the monster.

The dread eases; a dim light starts to glow dimly through the dark night.

The monster disappears in a cloud of sulphurous smoke, emitting a shriek of rage and frustration.

The dismal fog clears. I see the sunrise.

(c) Trevor J. Leavesley 2023

Potfest 2022

Next weekend I’m taking part in an event called Potfest in Melton Mowbray #potfest. https://potfest.co.uk/potter/maggie-baker/

Maggie Baker

This completes a cycle for me that started many years ago.

Poetry & Pottery: The Perfect Partnership

There is no way I would have completed that cycle without all the help, inspiration and support I’ve had from family and friends.

And the wheel is going to keep on turning!

Doing Again

At the turn of the Millennium, I completed a project under the Mind-Millennium Award Scheme.

My project – the Lifelines Project – involved collecting and publishing poems, pictures and self-help strategies from other people who, like me, had suffered from enduring and debilitating depression.

I had not met many of the contributors, and was amazed – honoured – that they trusted me with their personal expressions, all because of the underlying intention of reaching out in the hope of helping others.

If you, yourself, are suffering with depression, I would like to wish you well and tell you that you are not alone.”

Since then, there’s been increased awareness about mental health and how it can be improved.  While there remains much to be done in society from the ‘prevent’ and ‘promote’ perspectives, being able to – and even encouraged – to talk about mental health difficulties more openly represents a start.

In my own experience, I eventually got fed up of talking – I’ve never been much good at it anyway.  I knew that I needed to take action, to find ways of turning my life around, however difficult or painful that might be.  And I knew it would be difficult and painful, to rebuild from a below zero level when I was in my forties.

From somewhere, somehow, I found the resolve to put my head down, prioritise, and push myself through.  For a long time I concentrated on work and on developing my internal resilience.  Just before I turned 60 I decided to take the plunge and commit to a relationship. I now have a much fuller and richer life than I have ever had before and I’m thankful for that.

Even so, life continues to be difficult and I still take antidepressants – probably always will. But I have other coping skills and strategies, and have also been able to recently retire, taking away work pressures that I could no longer deal with.

I wasn’t able to keep in touch with all the people who contributed to the Lifelines Project but they’ve always remained in my thoughts and I hope that they too have been able to find a way through; a way that works for each of them:

Sylvia

Marcia

Maggie 2

Peter

Virginia

Henzie

Maggie 3

Jonathan

Fiona

Sean

Christopher

Polly

Christine

Caz

John

Caroline

Frances

Susan

Patricia

Mary

Dave

Mark

Tony

Iain

I thought it was fitting to include a poem by one of the Project contributors – Mark:

Recovery

The night has been terror:
depression, cold, confusion.
               – Ears scream.

Grey – the morning in my front-room.

A tear on my cheek and
a child’s grizzle
for a few seconds
               – From my adult form.

A small rebellion
               – The beginning of action.

A tiny sunbeam through the window
               – Doing again.

Unwanted gift? No wear

Photo by Jan Kopu0159iva on Pexels.com

Jacket 1

It’s there, on the chair
The red fleece jacket
With hood and drawstring waist
That I don’t want to wear
Don’t want to keep.

It’s warm and soft when I put it on
But far too big for me
Drowned in a red sea
Shapeless, I feel
A baggy, saggy, faceless entity.

I look at the jacket
On the chair
In limp, loose folds of red, and seams
This isn’t the jacket of my dreams.

It’s theirs to wear
Not mine to keep
Their tears to cry
Not mine to weep.

It’s there, on the chair
The red fleece jacket
With hood and drawstring waist
That I don’t want to wear
Don’t want to keep
So I’ve put a price on its head
To let it go free
To someone who wants it
But who wants me?

Jacket 2

It’s there, on the chair
The red fleece jacket
With hood and drawstring waist
That I don’t want to wear
Don’t want to keep.

It’s warm and soft when I put it on
But far too big for me
Drowned in a red sea
Shapeless, I feel
A baggy, saggy, faceless entity.

I look at the jacket
On the chair
In limp, loose folds of red, and seams
This isn’t the jacket of my dreams.

It’s not my layer
These aren’t my lies
With drawstring waist
And nylon ties.

It’s not my jacket
They’re not my dreams
These aren’t my ties
They’re not my seams.

So I leave the jacket
On the chair
To go my way
While they go theirs.

Jacket 3

Now it hangs upon the door
That red fleece jacket
That I didn’t want to wear
Didn’t want to keep.

It’s warm and soft when I put it on
And not too big for me
Warmed in a red sea
Shapeless no more
No baggy, saggy faceless entity.

I look at the jacket
On the door
In limp, loose folds of red and seams
It’s not the jacket of my dreams
But just a layer to keep me warm
From frozen looks
And glares of scorn.

It is my jacket
With hood and waist
To wear awhile
From place to place.

Jacket 4

What next?

Jacket 5

Jacket
In?

Jacket 6

No!

(c) Maggie ‘Glad the Poet’ Baker, 2003

A Bag of Clay

A bag of clay bought from ‘Hot Clay’ of Warrington

A bag of clay
some simple tools
it’s time to play
by my own rules

The place to start
is here and now
I’ll make some art
then take a bow

The bag of clay
is mine to mould
to use my way
until I’m old

Pinch, coil and fire
it will become
a bag of clay
in different form

Maggie ‘Glad the Poet/Potter’ Baker 2021

Poetry & Pottery: The Perfect Partnership

1978

1978 was not a good year, for me
even though I hold it dear

Try as I might I could not find the key
to unlock my brain
work out its mystery

Lurching this way and that
never finding a hold
I fell so many times
but got ever more bold

Crashing right down
I broke back to the core
then inched my way through
to daylight once more

The clay in my hand
is the life that I’ve led
I’ve cried, ached and screamed
and wished I was dead

But I never gave up
and I never gave in
I just kept on going
and drank lots of gin

Joking aside –
though I do like a drop –
I feel like I’ve won
I’ve come out on top

For I have love in my life
a treasure most true
I’m here and I’m now
simply human, through and through

© Maggie ‘Glad the Poet’ Baker 2021

1978 was the year I graduated with a degree in Ceramics from Bristol Polytechnic. 

I’d reached out to art in my teens as a way of asserting a direction, without knowing where that direction might take me. It was driven by some deep-rooted instinct; an instinct which for a long time I thought had failed me. But it hadn’t.

As it’s turned out, my life has taken many “twists and turns, and loops and leaps”, most of which have left me struggling to find a foothold. Finally, however, I feel I am on firm ground, and astonished to find myself turning back to working with clay, after a break of over 40 years.

What’s even more astonishing is that I’m not only loving working with the medium, I’ve got ideas coming into my head from goodness knows where. I’m not having to push myself just to produce something, anything, as I did when I was at college (although I was proud of what I did produce in the end; it was no easy feat, considering the complexity of mental health problems I was dealing with).

Art didn’t work as a therapy for me when I was younger; the damage went too deep and I had to find ways to dig it out – just like clay has to be dug out.  What I’ve got now is malleable and mouldable in whatever way I choose. I can be creative in any way or ways that suit me; working with clay or words; working with my life.

I hope my pots can be poetic; and that my poetry will continue to be potty.

Solid and fluid at the same time. This one’s long gone; I’m making others now.

The Playlist

When I was young I didn’t really follow any one
I wasn’t into screaming at the Beatles
Or collecting singles or going to concerts
I’ve always been a bit behind with a lot of things
I can never remember names
Or who played what or where or when
But then that maybe only matters
In pub quizzes or if you want to feel flattered
By other people praising you for what you know
It would be nice though, sometimes, to be the one
Who remembers what they heard when they were young
And relate it to a first kiss, or a walk in the park
But then I never could get up with the lark
Always had a bit of a struggle, doing the usual things
Although I did listen quite a lot to Cat Stevens
Wishing I could be Sad Lisa but ending up just being sad
Still, it hasn’t all been bad
At least I haven’t got cluttered up
With a load of CDs that I don’t know what to do with
And now that I’m 61 I can listen to anyone
Or anything I choose
And my music collection
Is out there waiting for me
Just as it was
All those years ago
When I was young

© Maggie ‘Glad the Poet’ Baker 2017